SOUND FOR
EVENTS
Featured, or in the background.
Two ways to use live sound at an event. I can be the feature or the backdrop.
Atmosphere. The sound plays in the background while everything else happens — arrivals, dinner, a gallery opening, a party.
Focus. All attention and intention is on the sound, whether that is an immersive sit-or-lie-down experience for people ready to receive it, or a demonstrative set for a room that is watching, listening, and learning.
Atmosphere · sound in the background
Processional, vows, and the moments between, cued live to what is actually happening rather than run from a file.
Arrivals, dinner, or a gallery floor held by live sound for as long as you need it.
Arrival, midpoint, and closing sound scored across a multi-day schedule.
Lobbies, studios, spas, and clinics — live sessions, recorded beds, or both, made to fit the room.
Focus · sound as the event
Your people lie down for an hour. Immersive and therapeutic, at your space or the studio.
Didgeridoo, handpan, bowls, and flutes played for a room that is there to listen.
A set built to be watched and understood — what the instruments do and why, with time to ask.
Birthdays, retirements, and memorial gatherings, scored once for the people in the room.
How pricing works
Every event is quoted, because the room, the hours of coverage, and how many people are being held change the work more than anything on a rate card. You get a fixed number and a scope in writing before anything is booked.
A deposit holds the date. Licensing for any recorded material is separate and spelled out by use and term.
Tell me the room, the hour, the number of people, and the two or three moments that matter most. Everything else can be decided late.
Brennan England, LMT · A Resonare LLC practice